Stout's first composition of 2016.

LHS' piece uses musical illusions ton conjure up a sound reminiscent of a film-noir score.

An energetic piece for solo marimba/vibraphone and electronics.

A gripping, emotional piece for solo marimba that will captivate everyone who listens.

An amalgamation of Bach's solo string suites for cello and lute, arranged for marimba.

Kimura's first composition for solo marimba mimics the behavior and movement of a small groundhog.

An ancient Jewish prayer, recited during the High Holy Days, arranged for marimba and voice.

A nostalgic textural piece that celebrates the ephemeral qualities of love and beauty.

A marimba quartet inspired by the Sonoran Desert of the Southwestern United States.

A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.

A new marimba quartet inspired by the garden of impressionist painter Claude Monet.

Commissioned by the Escape X Percussion Duo, Locke's programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey's most famous highways.

One of Hatch's most popular pieces, now arranged for four-mallet solo marimba.

Eric Sammut's Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!

Morphic Resonance is a difficult work for solo 5.0 marimba. As it morphs through many different styles and sections it will challenge the most advanced marimbist, while providing a rewarding musical experience.

Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.

This work for 4.3 marimba is a medium-easy to medium-difficult, tonal, 4-mallet solo in which technical difficulties like fast interval changes are avoided.

A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.

"Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful."
-- Percussive Notes