A marimba quartet inspired by the Sonoran Desert of the Southwestern United States.

A duet for marimba and violin that pays tribute to Saint Catherine, one of the most popular saints in the Middle Ages.

A new marimba quartet inspired by the garden of impressionist painter Claude Monet.

Commissioned by the Escape X Percussion Duo, Locke's programmatic duet for marimba and vibraphone takes the listener on an idyllic (and sometimes crazy) drive along one of New Jersey's most famous highways.

One of Hatch's most popular pieces, now arranged for four-mallet solo marimba.

Eric Sammut's Ameline, for solo marimba, has been adapted to a duo format for marimba and vibraphone. This work is full of split, syncopated rhythms divided between the two instruments.

Anthem: To Catch a Glimpse, for 5.0 marimba, is dedicated to the beautiful music and playing of Nancy Zeltsman, and influenced by the marimba music of Dan Levitan.

The Other Side (of Silence) is a beautiful new composition for 5.0 marimba. It winds its way through a variety of sections in different styles, moods and textures, but always returns to a place of happiness and joy!

Morphic Resonance is a difficult work for solo 5.0 marimba. As it morphs through many different styles and sections it will challenge the most advanced marimbist, while providing a rewarding musical experience.

Commissioned by Theodor Milkov, this piece is a massive, weighty, tonally contrapuntal, and technically brilliant tour de force.

A very effective, exuberant and joyful marimba quartet with echoes of Reich and Zimbabwe.

"Players with a strong sense of rhythm and two-mallet technique are necessary for a performance of this piece. While the piece is not overly fast and choppy, note accuracy could be tricky in certain passages. A strong sense of already existing ensemble cohesion will make a performance of this piece especially successful."
-- Percussive Notes

To date, the solo marimbist's repertoire from the Classical and Romantic periods contains a handful of transcriptions. The Bicentennial Collection will give audiences a first taste of Liszt's solo piano works transcribed for marimba and fill in a long standing stylistic void in our repertoire.

Percussion teachers couldn’t ask for a more colorful and diverse collection of pieces to introduce young players to all the keyboard percussion instruments. Works for marimba, xylophone, vibraphone and one that can be played on glockenspiel make this a valuable teaching tool and studio or recital resource.

Home is dedicated to and commissioned by the internationally renowned percussion group Nexus. The piece is in three distinct movements and spans approximately 20 minutes.

Sara’s Song was written in 2005 for one of my dear friends' daughter's wedding, Sara Sartarelli. I believe the short work represents my feelings for the family as well as the emotional significance of this beautiful occasion.

Duet for Vibraphone and Marimba.
"This fun, low-pressure duet is full of energy and life ... Both mallet players will appreciate the challenge presented towards the end of the work where each part is written in fast eighth-note octaves." —Percussive Notes

"This charming, seven-minute work for solo marimba is a quick learn and will make a wonderful addition to the repertoire of students and professionals alike."
-Percussive Notes

Bringing Chopin's intimate and quasi-improvisational work to the warm sound quality of the modern marimba is an innate marriage. One can only wonder what he would have written for the marimba if he had access to the knowledge, pedagogy, and instrument of today. But this arrangement may give us a glimpse of this by illustrating an introspective mood for marimba. Valse Brillante is an alluring work emphasizing the sumptuous features of the marimba.

Sammut's blend of style, clear melodic ideas and improvisational elements will appear to the differing musical tastes of most audience members. As with Sammut's other works, it is only a matter of time before this becomes a favorite on college campuses.

-- Darin Olson, Percussive Notes

The title, which essentially means "reflections on things from the past" doesn't have much to do with the composition itself, Stout has said. Quondam Reflections is a tonal, multi-textural, polyphonic and multi-sectional work.